Galerie Gilla Lörcher

Contemporary Art

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Capucine Vandebrouck

About

„In 1967, Robert Morris achieves in the Western Washington University an iconic work called Steam Cloud, a simple cloud of smoke emerging from the ground. At the time the American artist designs this work, it is a question of thinking about a work as a random shape, shifting and impermanent. He will talk about anti-form in a text published in 1968, in conflict with the canons of minimalism dominating the American artistic scene. From there you could pull the many strings of a star shaped artistic genealogy, where entropy, chance, fundamental ambiguity, immateriality, disappearances and decoy effects would be mixed together. It is in this frame that the work of Capucine Vandebrouck would be inserted, somewhere between the Dust Breeding of Duchamps and the „scribbles“ of Sol le Witt, between the proponents of arte povera and the Asphalt Rundown of Smithson, between the bitter elegance of Eva Hesse and the visual alchemies of Ann Veronica Janssens or Edith Dekyndt. (…) It is maybe this oscillation between belief and rational explanation of the world, that crosses the work of Capucine Vandebrouck. She doesn´t propose us to believe in what we see, but she doesn´t subscribe to minimalist doxa of the „what you see is what you see“ neither. The artist suggests rather that what can be seen is as much important as what can´t, what we know as intense as what isn´t told.“ Text: Marie Cozette, Rome, January 2017

Capucine Vandebrouck is a sculptor and photographer graduated from the École Supérieure des Arts Décoratifs of Strasbourg, the École Nationale Supérieure d'Art of Bourges and the Marc Bloch faculty. She lives and works in Strasbourg.
She has taken part in numerous artist residencies and received several awards and research grants.
Capucine Vandebrouck was awarded the Ouest-Ost residency (partnership with the Institute Francais of Berlin, FEFA, and the Goethe Institute, Berlin (D) in 2017; the studio residence of Lindre-Basse (F) in 2014; the residency of the Kunststiftung Baden-Württemberg in partnership with the CEAAC and the French Institute, Stuttgart (D) in 2014 and the RAVI, artist residence Vivegnis international, Liège (B) in 2013 a.o. The most recent stipends (2022) were the individual creation grant from the DRAC Alsace (F) and the creation grant from the Région Grand Est (F), which enabled her to obtain a research grant to undertake a 3-month trip to the Yukon Territory (Can).
Her work has been shown in art museums, institutions and galleries such as Kunsthalle Basel, Basel (CH); Musée d´Art Moderne et d´Art Contemporain MAMAC, Nice (F); CEAAC, Strasbourg (F); Musée La Grande Place, Saint-Louis-les-Bitches (F); Goethe Institute, Nancy (F); Galerie der Stadt Sindelfingen (D); La Kunsthalle Mulhouse (F); Galerie Thaddeus Ropac, Paris, F; Galerie Bernard Ceysson, Saint Étienne, F; Galerie Houg, Paris, F; Galerie Gilla Loercher | Contemporary Art, Berlin, D

Capucine Vandebrouck's work has been represented by Berlin gallery Gilla Loercher since 2017.

Works

2 x Screenprint, MDF tinted mass and chrome ink<br>169 x 115 cm each

Capucine Vandebrouck, Sighing by the Eyes 2023

2 x Screenprint, MDF tinted mass and chrome ink
169 x 115 cm each

Screenprint edition of 25<br>Paper and chrome ink
24 x 18 cm

Capucine Vandebrouck, Sighing by the Eyes1, 2023

Screenprint edition of 25
Paper and chrome ink 24 x 18 cm

Screenprint edition of 25<br>Paper and chrome ink
24 x 18 cm

Capucine Vandebrouck_Sighing small2, 2023

Screenprint edition of 25
Paper and chrome ink 24 x 18 cm

Screenprint edition of 25<br>Paper and chrome ink
24 x 18 cm

Capucine Vandebrouck_Sighing small3, 2023

Screenprint edition of 25
Paper and chrome ink 24 x 18 cm

Screenprint edition of 25<br>Paper and chrome ink
24 x 18 cm

Capucine Vandebrouck, Sighing small 4, 2023

Screenprint edition of 25
Paper and chrome ink 24 x 18 cm

Anthotype, Bramble juice and paper, 48 x 38,3 cm cm<br>
Photo: GLoercher

Capucine Vandebrouck, DrunkenForest7, 2023

Anthotype, Bramble juice and paper, 48 x 38,3 cm cm
Photo: GLoercher

Fixed Anthotype<br>Bramble Juice and Paper
35 x 27,3 cm
Photo: GLörcher

Capucine Vandebrouck, DrunkenForest5, 2023

Fixed Anthotype
Bramble Juice and Paper 35 x 27,3 cm Photo: GLörcher

Fixed Anthotype<br>56,5 x 43 cm 
Photo: GLörcher

Capucine Vandebrouck, Drunken Forest1, 2023

Fixed Anthotype
56,5 x 43 cm Photo: GLörcher

Fixed Anthotype
<br>Bramble juice and Paper
40 x 46 cm
Photo: CHROMA, courtesy Galerie Gilla Loercher

Capucine Vandebrouck, DrunkenForest1, 2023

Fixed Anthotype
Bramble juice and Paper 40 x 46 cm Photo: CHROMA, courtesy Galerie Gilla Loercher

Fixed Anthotype<br>Bramble Juice and paper
29,8 x 33,5 cm

Photo: GLörcher

Capucine Vandebrouck, Drunken Forest4, 2023

Fixed Anthotype
Bramble Juice and paper 29,8 x 33,5 cm Photo: GLörcher

Capucine Vandebrouck, Rêve d'un monde sauvage

9bc00b5a-6610-ede3-8b9b-d405be6d6fa3

Capucine Vandebrouck, Rêve d'un monde sauvage

PVC material
<br>380 x 120 cm

Radiant, 2014

PVC material
380 x 120 cm

Hydrophobic solution, water, wood<br>108 x 118 cm
Photo: G. Loercher

Capucine Vandebrouck, Puddle sur socle / Pfütze auf einem Sockel, 2023 (2)

Hydrophobic solution, water, wood
108 x 118 cm Photo: G. Loercher

Hydrophobic solution, water, wood<br>108 x 118 cm
Photo: CHROMA, courtesy Galerie Gilla Loercher

Capucine Vandebrouck, Puddle sur socle / Pfütze auf einem Sockel, 2023 (2)

Hydrophobic solution, water, wood
108 x 118 cm Photo: CHROMA, courtesy Galerie Gilla Loercher

Installation view: Radiants extended

Radiants extended. Capucine Vandebrouck. Galerie Gilla Loercher 2021

Installation view: Radiants extended

Installation view<br>Photo: CHROMA, courtesy Galerie Gilla Loercher

Capucine Vandebrouck. One-single-artwork-show#11 at Galerie Gilla Loercher 2021

Installation view
Photo: CHROMA, courtesy Galerie Gilla Loercher

PVC, 380 x 120 cm<br>Installation view. Photo: CHROMA, courtesy Galerie Gilla Loercher

Radiant

PVC, 380 x 120 cm
Installation view. Photo: CHROMA, courtesy Galerie Gilla Loercher

Capucine Vandebrouck, detail Radiants<br>Photo: Gilla Loercher

detail. Radiant

Capucine Vandebrouck, detail Radiants
Photo: Gilla Loercher

PVC material
<br>145 x 96,5 cm

Radiant2, 2014

PVC material
145 x 96,5 cm

Capucine Vandebrouck, Hi Robert! (2), 2020<br>
Photo: Capucine Vandebrouck

Capucine Vandebrouck at FRAC Alsace 2021

Capucine Vandebrouck, Hi Robert! (2), 2020
Photo: Capucine Vandebrouck

photogram of fog, (edition 2/4) 
<br>90 x 90 cm 
pasted on dibond, framed 

Photo: Gilla Loercher / Galerie Gilla Loercher

La Mémoire de l'eau 1, 2015

photogram of fog, (edition 2/4)
90 x 90 cm pasted on dibond, framed Photo: Gilla Loercher / Galerie Gilla Loercher

hydrophobic bomb and water, 
<br>variable size 

Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

Puddle 4, 2018

hydrophobic bomb and water,
variable size Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

hydrophobic bomb and water, 
<br>variable size 

Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

Puddle 4, 2018

hydrophobic bomb and water,
variable size Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

Puddle 4, 2018<br>hydrophobic bomb and water, variable size

Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

Capucine Vandebrouck A46A0072-opti-f-web

Puddle 4, 2018
hydrophobic bomb and water, variable size Photo: Pablo Ocqueteau, courtesy Galerie Gilla Loercher

Wood and glass 
<br>21 x 31 x 7 cm 

Photo: Capucine Vandebrouck

Circonstances, 2017 (2 parts)

Wood and glass
21 x 31 x 7 cm Photo: Capucine Vandebrouck

2 x unique anthothypes (chlorophyllian photographic process), 
<br>tree leaves, anti-UV glass, wood 
60 cm x 50 cm each		

Photo: Pablo Ocqueteau

Filigranes 1, 2017

2 x unique anthothypes (chlorophyllian photographic process),
tree leaves, anti-UV glass, wood 60 cm x 50 cm each Photo: Pablo Ocqueteau

2 x unique anthothypes (chlorophyllian photographic process), <br>tree leaves, anti-UV glass, wood 
60 cm x 50 cm each		

Photo: Capucine Vandebrouck

Filigranes 1, 2017

2 x unique anthothypes (chlorophyllian photographic process),
tree leaves, anti-UV glass, wood 60 cm x 50 cm each Photo: Capucine Vandebrouck

magnifying glass and chassis 
<br>60 x 60 cm 

Photo: Capucine Vandebrouck

Camera obscura 2, 2014

magnifying glass and chassis
60 x 60 cm Photo: Capucine Vandebrouck

magnifying glass and chassis 
<br>60 x 60 cm 

Photo: Papblo Ocqueteau, courtesy Galerie Gilla Loercher

Camera obscura 2, 2014

magnifying glass and chassis
60 x 60 cm Photo: Papblo Ocqueteau, courtesy Galerie Gilla Loercher

photograms of water, ice, fog, silver bromide on glass plate, 
<br>variable dimension 

Photo: Gilla Loercher

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
variable dimension Photo: Gilla Loercher

photograms of water, ice, fog, silver bromide on glass plate, 
<br>60 x 60 cm 
Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
60 x 60 cm Photo: Capucine Vandebrouck

photograms of water, ice, fog, silver bromide on glass plate, 
<br>60 x 60 cm 

Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
60 x 60 cm Photo: Capucine Vandebrouck

photograms of water, ice, fog, silver bromide on glass plate, 
<br>21 x 29,7 cm 

Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
21 x 29,7 cm Photo: Capucine Vandebrouck

photograms of water, ice, fog, silver bromide on glass plate, 
<br>21 x 29 cm 

Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
21 x 29 cm Photo: Capucine Vandebrouck

photograms of water, ice, fog, silver bromide on glass plate, 
<br>18 x 10 cm 

Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
18 x 10 cm Photo: Capucine Vandebrouck

photograms of water, ice, fog, silver bromide on glass plate, 
<br>18 x 10 cm 

Photo: Capucine Vandebrouck

La Mémoire de l'eau 3, 2015

photograms of water, ice, fog, silver bromide on glass plate,
18 x 10 cm Photo: Capucine Vandebrouck

Black tissue, borax, iron <br>80 x 30 x 35 cm 
Photo: John Cornu

Efflorescence 2, 2016

Black tissue, borax, iron
80 x 30 x 35 cm Photo: John Cornu

Inkjet printing, wooden frame and anti-reflective glass. <br>Serial number 1/10
Photo: Capucine Vandebrouck

Capucine Vandebrouck, Au Même Instant (4), 2020

Inkjet printing, wooden frame and anti-reflective glass.
Serial number 1/10 Photo: Capucine Vandebrouck

Untitled (la mémoire de l’eau 4), 2014<br>Diptyque (two formats A4, 29,7 x 21 cm)
Photographie argentique
Photogramme. Unframed 



Photo: Capucine Vandebrouck

Capucine Vandebrouck, 14. Galerie Gilla Loercher

Untitled (la mémoire de l’eau 4), 2014
Diptyque (two formats A4, 29,7 x 21 cm) Photographie argentique Photogramme. Unframed Photo: Capucine Vandebrouck

Untitled (la mémoire de l’eau 3), 2014.<br>Diptyque (two formats A4, 29,7 x 21 cm).
Photographie argentique
Photogramme d’eau. Unframed


Photo: Capucine Vandebrouck

Capucine Vandebrouck, 13. Galerie Gilla Loercher

Untitled (la mémoire de l’eau 3), 2014.
Diptyque (two formats A4, 29,7 x 21 cm). Photographie argentique Photogramme d’eau. Unframed Photo: Capucine Vandebrouck

2 Water Photograms (2.1. + 2.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photogram of the water_8_2.2

2 Water Photograms (2.1. + 2.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (2.1. + 2.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photograms of the water_7_2.1

2 Water Photograms (2.1. + 2.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (1.1. + 1.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photograms of the water_6_1.1

2 Water Photograms (1.1. + 1.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (1.1. + 1.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photograms of the water_5_1.2

2 Water Photograms (1.1. + 1.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (3.1. + 3.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photograms of the water_4_3.2

2 Water Photograms (3.1. + 3.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (3.1. + 3.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photograms of the water_3_3.1

2 Water Photograms (3.1. + 3.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (4.1. + 4.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photogram of the water_2_4.1

2 Water Photograms (4.1. + 4.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

2 Water Photograms (4.1. + 4.2)<br>Satin Argentic Paper, anti UV-glass, framed
80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photogram of the water_1_4.2

2 Water Photograms (4.1. + 4.2)
Satin Argentic Paper, anti UV-glass, framed 80 x 120 cm (each photogram is 51 x 60 cm)

Capucine Vandebrouck_Photogram of the water_2_4.1

8 Water Photograms <br>Satin Argentic Paper, anti UV-glass
80 x 120 cm (with 2 photograms à 51 x 60 cm per frame)
Photo: G Loercher

Capucine Vandebrouck_Ondulations, 2023_2

8 Water Photograms
Satin Argentic Paper, anti UV-glass 80 x 120 cm (with 2 photograms à 51 x 60 cm per frame) Photo: G Loercher

Exhibitions

Biography

Born in Tourcoing / France in 1985.
Lives and work in Strasbourg.

2011

DNSEP (Higher National Diploma of Plastic Expression), School of Decorative Arts, Strasbourg, France

2009

DNAP (National diploma of visual arts), National School of Art, Bourges, France

2008

Visual arts certificate, Marc Bloch University, Strasbourg, France

Publications

2019

„Variations“ – John Cornu / Capucine Vandebrouck, 01/2019

2017

„Mirari“, monographic catalogue sponsored by the French institut of Stuttgart, critical text by Marie Cozette, interview and intervention by Claire Migraine and Mickaël Roy

„Alchimie minimaliste“, Daria de Beauvais, 62ème Salon de Montrouge, Montrouge, France

2014

„Efflorescences“, Hélène Guenin, exhibition to La Grande Place, partnerships Center Pompidou Metz and the Fondation d’entreprise Hermès, Saint Louis lès Bitches, France

„Alchimiste de la matière“, Marie Cozette, end of residence text at the Delme Synagogue

2013

„Combattante de la matière“, Mickaël Roy, Novo n°23

„Fragile matérialité“, Anne-Sophie Miclo, Inferno Magazine

2012

„Une expérience de la sculpture“, Claire Kueny, interview for the exhibition Contre Emploi, Juin 2012, Museum Théodore Deck, Guebwiller, France

Residencies

2022

Dawson City Yukon, Canada

2017

Ouest-Ost, partnership with the French Center of Berlin, FEFA, and the Goethe Institut, Berlin, Germany

2014

Delme Synagogue, studio residence of Lindre-Basse, France

Foundry darling, Montreal, Québec, Canada

Kunststiftung Baden-Württemberg in partnership with the CEAAC and the French Institute, Stuttgart, Germany

2013

RAVI, artist residence Vivegnis international, Liège, Belgium

Conferences

2019

Still Going/Going Still, workshop, HEAR Mulhouse, France

2013

MPVite, association Mille Feuilles, with Richard Deacon and Julien Laforge, Hangar à Banane, Nantes, France

Prizes and Grants

2022

Individual Creation Grant, DRAC Alsace, “The call of the Wild”, Yukon, Canada.

Research and Creation Grant, Grand Est Region, “The call of the Wild”, Yukon, Canada

2019

Contemporary Talent 8th edition, Francois Schneider Foundation, Wattwiller, France

Solo Exhibitions (Selection)

2023 / 2024

Regardez est un pouvoir, Galerie Gilla Loercher | Contemporary Art, Berlin, D

2021

Radiants extended, Galerie Gilla Loercher | Contemporary Art, Berlin, D

Keep on going, Espace d'Art Suzanne Savary, Thionville, France

One-single-artwork-show #11, Galerie Gilla Loercher | Contemporary Art, Berlin, D

2020

Filigranes, French Museum of Photography, Bièvres, France.

2019

Variations, Project Room, Espace art et essai, curateur John Cornu, Rennes, France

2018

Floaters, Galerie Gilla Loercher | Contemporary Art, Berlin, D

2017

Fata Morgana, Galerie der Stadt Sindelfingen, D

Mirari 2, Galerie Houg, Paris, France

2015

Efflorescence, Musée La Grande Place, partnerships Center Pompidou Metz and the Fondation d’entreprise Hermès, curator Hélène Guenin, Saint-Louis-lès-Bitches, France

Mirari 1, residence back exhibition Kunststiftung Baden-Württemberg (Stuttgart), CEAAC, Strasbourg, France

2014

Open Studio, end of residence to the Delme Synagogue, Lindre-Basse, France

2013

Object/ion, art gallery Perrin, Montbéliard, France

2012

Project Room n°10, Crac Alsace, Altkirch, France

Contre Emploi, Museum Théodore Deck, Guebwiller, France

Group Exhibitions (Selection)

2023

Seasonal. Digital, Galerie Gilla Loercher | Contemporary Art, Berlin, Germany

In Praise of the Shadows, Nanjo Museum, Okinawa (JPN)

Chères hantises, Frac Alsace, 67600 Sélestat

Eau, Commissariat: Frédéric Galliano, See Galerie, Paris, France

Chères hantises, Frac Alsace, Sélestat, France

2022

Seasonal. Digital, Galerie Gilla Loercher | Contemporary Art, Berlin, Germany

2021

Seasonal. Digital, Galerie Gilla Loercher | Contemporary Art, Berlin, Germany

Chaque degré compte, Carring Gallery, Paris, France

Cabinet de curiosité, Gallery Valèrie Eymeric, curator Fréderic Galliano, Lyon, France.
Sélest’art, biennale de contemporary art, Sélestat, France

Aqua, Pavilion Sicli, Geneva, Switzerland

Vision Troublèe, Gallery Sono, Paris, France

Perspectives#01, New artworks of the collection
Frac Alsace, Sélestat, France

2020

Contemporary Talents 8th edition, Wattwiller, France

Prismes, CEAAC, curators Èlodie Gallina and Gerald Wagner, Strasbourg

La Mesure du Monde, MRAC, curators Sandra Patron and Clement Nouet, Sèrignan, France

2019

Biennale Arts et Sciences, Musée Français de la Photographie, curateur Laurent Laliberté, Bièvres, France

La Mesure du monde, Mrac Occitanie Pyrénées / méditerranée, curatrice Sandra Patron, Sérignan, France

Où sommes-nous, La Kunsthalle Mulhouse, curateurs Chantal Molleur, Aaron Pollard, Sandrine Wymann, Mulhouse, France

Variations, Espace art et essai, curateur John Cornu, Rennes, France

Super Surfaces, CACN, curatrice Géraldine Dufournet, Nimes, France

2018

Assemblée, Les 25 ans du centre d’art, Synagogue de Delme, France

Cosmogonies/Au grè des éléments, Musée d'Art Moderne et d'Art Contemporain MAMAC, curators Hélène Guenin and Rébecca François, Nice, France

OUEST/OST, Goethe Institut, Nancy, France

Industrie Magnifique, partnership FRAC Alsace, Strasbourg, France

2017

62ème Salon de Montrouge, Paris, France

Babel IV, Berlin, Germany

2016

MPVite 10 years, Nozay, France

Régionale 17, AEden, Accélérateur de particule, Strasbourg, France

Sous un soleil à briser les pierres, Double Séjour, Paris, France

FABRIC, Gallery Gilla Loercher | Contemporary Art, Berlin, D

Session #1 Instantanés, gallery Backslash, Paris, France

Le Pavillon des Sources, François Génot studio, Diedendorf, France

Exposition 45°nord 4°est, gallery Bernard Ceysson, Saint Étienne, France

Prize of the gallery of the Haut Pavé for the 66th edition of the Young Creation, Paris, France

The Young creation, Galerie Thaddaeus Ropac, Paris, France

Bed Sitter Art Fair, Vienna, Austria

2015

Moving Still/Still Moving, gallery Art Mûr, Montréal, Québec, Canada

Light On !, Kunststiftung Baden-Württemberg atelier/studio, Berlin, D

Aller-Retour, exhibition return of residents, Atelier Mondial, Basel, CH

Exposition Ø(FF)15 MAC, Mulhouse, France

Bastion Commun, exhibition Barrage Vauban, curated by les Commissaires Anonymes, Strasbourg, France

2014

No Music Was Playing, curated by Daniele Balit, Les Instants Chavirés, Montreuil, France

Open Studio, Darling Foundry, Montreal, Québec, Canada

2013

Open studio, residence RAVI, Liège, Belgium

Au pied du mur, gallery Schaufenster, Sélestat, France

2012

When I look at things, I always see the space they occupy, Kunsthalle Basel, curated by Adam Szymczyk, Basel, CH

La Zone, Tower Seegmüller, Strasbourg, France

Echo of the Moon / I wish Blue could be Water / Project Romm n°10, CRAC Alsace, curated by Sophie Kaplan, Altkirch, France

Concurrent to the second prize of Young Creation, Saint Rémy, France

Ateliers Ouverts, Bastion 14, Strasbourg, France

2011

Une exposition en quatre actes, gallery Apollonia, Strasbourg, France

Sans titre, Bailli House, Épinal, France

2010

Au travers, gallery Riff Art, Strasbourg, France